Recorded between 1976 to 1980 at the GRM studio (Musical Research Group) in Paris, France, where Ariel was an assistant engineer. Cover photo with Margot Anand.
My Albums
- MUSIC TO DREAM BY:
- Music to Love By
- Meditation
- Oasis
- Reverie
- Gliders In Motion
- Osmose 4
- Pensando en la inmortalidad ...
- Archives Jam Sessions
- Saxophonics Vol. 1
- Spirited Beats
- Angel Music to Dream By
- Poesie en Musique
- Magical 80s
- Space-Time Out
- Music to Dream 2
- Odd Ones
- Reflections in a Cathedral
- Magical 70s
- Maui Postcard
- MetaMorphantasy
- ExPERIMENTAL
- Sound Bath One
- Elan Vital
- Voices No Words
- I Am With You
- Reverie Music to Dream By
- Pillars of Light
- Unearthed Flutes
- Notes Above Land
- French Archives II
- Antivirus Music
- Saxoridoo
- Rainbow Dreamwalker
- Corona Insola
- In My Dreams
- Bindu
- Ambient Zeitgeist
- Keep Calm and Breathe
- See You Up There
- Music for Quiet Times
- Birds Dreaming
- Astral Dreams
- Mainly Mental
- Energy Archives
- Dervish Wish
- Tantric Sax
- Concerts 2019
- Intemporel
- Music to Dream By 562
- Moonlight-Suite
- Archives Portasound-1981
- Live in Concert Europe 2018
- Osmose III
- AndroGene 2018
- Eternalia
- Rue de la Gaite 70s
- Sarasvati Planet Ariel
- Astral Cathedral
- 1985 Kula Blackhole
- Confidential
- Never Mind
- Dream Stars
- Rainbow Remix
- Ascend Descend
- Au Mage Manege
- 1978 Delirium GRM
- Planet Air
- Space Shift
- Interfrequence
- Music Pour le Reve et l'Amour
- Meditation in the Forest
- Reallusions
- Galactica Electronica
- Lazy Lizard
- Osmose 2
- Chillout India
- Spirit Dancer
- My Sax, my Love
- Flowing Dreams
- Flute for the Soul
- Serenity
- Endless Breath
- Open Like a Flute, Vol 1+2
- Yo Yo A New Man
- Yo Yo Homme Nouveau
- Chansons d'Esprit
- Osmose
- Le Temps des Moissons
- Osmose
- Interfrequence
- An Evolutionary Music
- We Know Each Other Somehow
- Open Like A Flute
- Musique Pour le Reve et l'Amour
- Le Temps Des Moissons
- French Archives 1977-80 (4LP)
- Intemporel
- Nuits Blanches au Studio 116
- Head Voices
- French Archives Vol. II
Review
Ariel Kalma is the kind of musician that collectors live their lives to find at the bottom of a dollar record bin, and the kind who fellow musicians hope to become. He is a composer who worked on the periphery of a fringe movement, whose early adherents have recently seen an explosion in popularity...
- Vivian Hua, redefinemag.com
Bindu
Melody Meets Avantgarde
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Visualise, 4:50 - At the GRM upon finding a recording of birds tweets and ocean sounds. Ariel decided to compose a soft guitar background with flute. Where did this melody came from?
Japanese Dream, 5:50 - Recorded in 1973 at the GRM studio (Musical Research Group) in Paris, France with Monk Hayes on piano and Ariel Kalma on tenor saxophones, long loops, digital reverb, effects, tuning digital echoes and reverb until piano and saxophone seemed to float in space.
Bindu, 7:05 - Unusual mix in a scale of an open-tuned zither, Tibetan bowls and bells plus an improvised bamboo flute in a long crescendo towards an open door… then a Breath Release …
Visualise 2, 5:23 - As the first track but no birds, a bit faster, with harmonic voices, dumbeck on a relaxed journey to Dreamland.
Ballade Sur Le Lac, 13 :48 - Ariel was in Geneva, staying near the beautiful quiet lake when there was a sudden strong, noisy lightning storm … it lasted just half an hour but impressed him enough to recapture this moment on an effect-less Bosendorfer grand piano… just a pair of Neumann tube mics. Full version = “ IN MY DREAMS” (another album)
Love and Dream Music, 12:03 - Dreamcatcher inspiration mixing voices, Tibetan bowls, open-tuned zither, bells that Ariel gathered from his traveling…